Liz Argall

About

A zombie love story, a seed that breaks through and changes the world, the quest to be cool through the power of snake skins or the disillusionment of of a nuclear physicist are a few of Liz’s tales. Dark and macabre or playful and delicious – she writes stories about hope, strength, survival and change.

Liz often writes speculative fiction and interstitial works that explore spaces between genres. She is especially fond of gritty urban fantasy, thought provoking science fiction and fantastical literary fiction.

Liz carves out a diverse career as a freelance writer, working with organisations to build communities and running workshops. Liz has run creative workshops for a range of organisations, including the National Museum of Australia, Conflux and the Young Music Society. She also works with organisations to prepare and acquit grants; and to build physical and online communities. She has worked on and off as a Life Model for ten years. Before she became a freelancer she worked as researcher, union organiser, refuge worker, circus manager and provided consulting and support to the community sector.

Liz’s comics have been published in an array of publications, including Meanjin, The Girl’s Guide to Guy Stuff, Eat Comics, Something Wicked and her collection Songs Dreams and Nightmares. Her anthology, Dreams of Tomorrow, won a Bronze Ledger Award for Small Press of the Year. In January 2009 her musical Comic Book Opera, written with composer Michael Sollis, was performed for the first time.

Liz has just moved from Canberra, Australia to Portland, Oregon in the US and continues to work on projects in both countries.

This is what she looks like sometimes: