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My Campbell Year

My Campbell Year

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Ever since I heard of the Campbell Awards I have loved them. The Campbell Award, given every year during WorldCon, recognises new emerging writers. Once you have received your first ok pay cheque for writing sf/f a clock starts to tick and you have two calendar years to prove yourself worthy of nomination. Carving out a life as a writer is a long marathon and it’s nice to see relatively close goals that you can aim for towards the start of the journey.

I’ve enjoyed thinking about how in 2010 and 2011 would be my years to chase the Campbell dream, to prove myself worthy, to aim high. In a strange twist of fate my first Campbell Award eligible work came out in December 2009, starting the clock a year earlier than I had dreamed (my Campbell bio is now up). I am delighted that Cracked Leather found a place to be published and has been so warmly received. I wouldn’t change it for the world (well maybe the world). It just means my tidy little fantasy of 2010 and 2011 to prove my worthiness for voting in 2012 has been truncated by a year.

The challenge is significant and I am not sure if I will prove my worthiness in time, but it is still worth striving for. I will throw myself as much as I can. This is a challenge to myself and not in competition. I plan to soar with my fellow nominees – we are in this crazy dream together. I will write, I will edit, I will send work to publishers, I will read, I will learn from my peers – as I do every year. But this year I will have an extra spur to my sides that I plan to use. This year will never come again.

2010 is my Campbell year. I’m going to enjoy the challenge.

Liz Bio vs 2

Liz Bio vs 2

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With thanks for the kind crits, here is version 2:

A zombie love story, a seed that breaks through and changes the world, the quest to be cool through the power of snake skins or the disillusionment of of a nuclear physicist are a few of Liz’s tales. Dark and macabre or playful and delicious – she writes stories about hope, strength, survival and change. Liz writes across many media and genres, but comics are her major passion.

Liz carves out a diverse career as a freelancer, frequently working in educational comics as a writer, editor, project manager, talent scout and artist liaison. She has run creative workshops for a range of organisations, including the National Museum of Australia, Conflux and the Young Music Society. She even gets paid for writing creative works and essays, on spec or by commission. She has worked on and off as a Life Model for nine years. Prior to become a freelancer she worked as researcher, union organiser, refuge worker, circus manager and providing consulting and support to the community sector.

Her comics have been published in an array of publications, including Meanjin, The Girl’s Guide to Guy Stuff, Eat Comics, Something Wicked and in the collection Songs Dreams and Nightmares. She has supported and written for lip magazine since its inception. Her work is often psychological, poignant and she loves gritty urban fantasy. Her anthology, Dreams of Tomorrow, won a Bronze Ledger Award for Small Press of the Year. On Boxing Day she appeared nude in the Canberra Times to support the Parisian Life Model Strike and in January 2009 her musical Comic Book Opera, written with composer Michael Sollis, was performed for the first time.

If you want to find out more check out www.lizargall.com , drop her a line or say hi.